" Elisabeth Boudreault is a spicy Pamina [...]. The woman becomes all the more powerful when she also triumphs over the challenges (far from confining herself to the function of reward for the prince) and overwhelms the audience with the intensity of her voice. The role involves the lower register of the voice a lot, but Elisabeth Boudreault nourishes it with breath and launches it with a sonorous and placed medium, that cumulates into an incandescent high register. The voice thus easily fills the room, swirling in volume, but she knows just as much how to suspend the attention of the audience to the most tenuous nuances, all of which are audible. Her grieving aria ("Ach, ich fühl's") brings together the intense elegance of her medium and the scintillating tears of her high notes. "